"Freedom, Books, Flowers and the Moon", a new play based on and adapted from 2 Oscar Wilde short stories by Sarah Pitard, directed by Cat Robey - Paradigm Theatre Company at the Waterloo East Theatre, London, from 6th to 25th November 2012

devidsketchbook-art:

Dutch Invertuals Campaign by Bart Hess

UNTOUCHABLES RETOUCHED [vimeo]

“Almost unnoticed we have shaped a society without danger. Nevertheless things happen to us we can’t control. ‘Untouchables Retouched’ is a visual dialogue about re-balancing and re-valuating the beauty of vulnerability.”

[Via thisispaper]

(via whereart)

devidsketchbook-art:

Art Direction & Design  Hillary Coe - SPRAY BOUQUET (Can Love)

Experimenting with different parts of the spray can. 28” Tall

on tumblr: hillarycoe.tumblr

(via whereart)

devidsketchbook-art:

Dutch Invertuals Campaign by Bart Hess

UNTOUCHABLES RETOUCHED [vimeo]

“Almost unnoticed we have shaped a society without danger. Nevertheless things happen to us we can’t control. ‘Untouchables Retouched’ is a visual dialogue about re-balancing and re-valuating the beauty of vulnerability.”

[Via thisispaper]

(via whereart)

devidsketchbook-art:

Artist Daniele Buetti - Auf Allen Knien

Helmhaus, Zurich, Switzerland.  (installation views / mixed media)

Disperssion paint, peat, and water on wall, flickering light bulbs, sound (Blue moon, markedly slow)

(via whereart)

oldhollywood:

“My trouble is that I try to cover a part entirely. When you do there’s the danger that the patron will leave the theatre feeling that you are so perfectly suited to the character he has just seen that he can’t imagine you in any other part.
…Mothers with children ran from me in the street. Terrible letters came to me. Letters came from strange people; people who I never believed lived in the world; depraved and disturbed minds, thinking they saw in me the perfect companion, a fellow psychopathic. A success can be too great, I tell you.”
-Peter Lorre, on his role in 1931’s M
(via)

oldhollywood:

“My trouble is that I try to cover a part entirely. When you do there’s the danger that the patron will leave the theatre feeling that you are so perfectly suited to the character he has just seen that he can’t imagine you in any other part.

…Mothers with children ran from me in the street. Terrible letters came to me. Letters came from strange people; people who I never believed lived in the world; depraved and disturbed minds, thinking they saw in me the perfect companion, a fellow psychopathic. A success can be too great, I tell you.”

-Peter Lorre, on his role in 1931’s M

(via)

(via splattermac)

NIGHTNIGHT by DEDDY